Look Again Project Space
Look Again animates vacant space in the city with art, design and creative projects. As well as temporary pop ups, we run Look Again Project Space, providing a programme of high quality exhibitions, talks and workshops for the public and the creative sector.
You can find us at:
32 St Andrew Street
SHUFFLE // facilitated by Lyndsey Gilmour
Launch Night: Friday 3 May // 6 - 8pm - All Welcome!
Exhibition open: 4 - 18 May 2019 (Thu 5-8pm // Fri-Sun 11am-5pm)
This emphasis of this project is on publicly exhibiting a body of research and development that Lyndsey has been working on during the past 18months, in collaboration with performing arts venue The Lemon Tree and volunteer participants from Rosemount Community Centre and Transition Extreme. The project and exhibition has been curated and designed by Lyndsey and the work produced has a shared ownership between all 13 participants.
Shuffle expands on Gilmour’s broader research interests in the static nature of Painting and the role movement can play in this medium. Previous work has focused on the importance of time within Painting; celebrating the aging process of decay, rot and rust, enabling the image, colour and tonal structure to change over time. As with Theatre, although the structure remains no two viewing experiences are the same. Shuffle continues this exploration through the (de)constructing of the imagery evident in both the changeable and interactive nature of the drawings, a rhythm is introduced through the projected film and the Paintings merely fix compilations of imagery, adding a stillness to the show.
List of Participants:
Sam Begg, Calum Chalmers, Jack Dow, Linzi Harrow, Becky Laird, Naomi Leckie, Owen Livingston, Carol McDonald, Alison Muir, Diane Needler, Freda Still, Dorothy Sutherland, Cora Taylor, Dennis Noble, Helen Watson, Ethan West.
Talks + Workshops
During each exhibition we will be holding various talks and workshops which will be free to attend. Visit the ‘events’ page to find out more and book your place, or head to one of our social media channels.
The Bill Gibb Line
The Bill Gibb Line is a spoken-word film and exhibition of new narratives across poetry and fashion inspired by the Northeast-born fashion designer who was world renowned in the 1970s. It will feature new work by writer-performer Shane Strachan and fashion students from Gray's School of Art, supported by filmmaker Graeme Roger of Wildbird and RGU Art & Heritage Collections.
Originally from Bill Gibb’s hometown of Fraserburgh, Shane Strachan is a writer and performer based in Aberdeen. His work for both page and stage is concerned with the Northeast’s relationship with the wider world, including his work-in-progress novel inspired by Gibb’s life and work for which he was awarded a Robert Louis Stevenson Fellowship. He holds a PhD in Creative Writing from the University of Aberdeen.
Exhibition open: 7 - 16 June 2019
// PART OF LOOK AGAIN FESTIVAL //
31 March - 28 April
Tendency Towards presents: A Room For A Handshake
Madeleine Hope-Fraser, Jack McCombe & Stephanie Mann
Opening Evening: Sat 30th March, 6-8pm
Exhibition Run: 31 March - 28th April (Thu 5-8pm, Fri - Sun 11am - 5pm)
Tendency Towards presents newly commissioned sculptural, text and sound works by Madeleine Hope-Fraser, Jack McCombe and Stephanie Mann jointly investigating the formation and narration of communal architectures. Considering the role artist-led spaces play in forming local cultural identities, A Room For a Handshake envisages exhibition-making as a framework for supporting artist actions. A programme of activations including a weekly guided library, shared meals, artists workshops and advice sessions delivered jointly by Look Again and Tendency Towards will populate the projects’ month long run at Look Again’s new city-centre project space.
Madeleine Hope-Fraser, Jack McCombe and Stephanie Mann all investigate materiality, objects, space and thingliness within their practices in multi-disciplinary methods. Covering site-specific installations, sculpture, text, performance and video, their practices are broad and explorative in their approach to exhibitions
Creating work collectively, Hope-Fraser and McCombe both studied at Glasgow School of Art, now based jointly in Toronto and Glasgow; Stephanie Mann is based in Edinburgh, currently participating in the inaugural two-year Talbot Rice Residents Programme.
A Room For a Handshake is a continuation of projects by Tendency Towards investigating the formation, operation and working methods within artist communities, often specifically looking at the emotional labor involved in contemporary collective visual arts practices.
Tendency Towards is an artist-led curatorial initiative based in Aberdeen, comprising of artists Yvette Bathgate, Jessica Barrie, Donald Butler, Paula Buškevica, Mary Gordon & Jake Shepherd. Operating since 2017, Tendency Towards curates public exhibitions, workshops, events, engages in national visual arts conversations and make work collectively.
A Room For a Handshake is curated by Tendency Towards, supported by funds from Aberdeen City Council’s Creative Fund and Look Again.
23 Feb - 24 March 2019
We were delighted to launch our new Look Again Project Space with ORAL SUSPENSION - a collaborative project by Scottish artists David Blyth and Nick Gordon, celebrating Scottish cultural heritage through an investigation of the customs and folk traditions surrounding the Skate, in fishing communities in Aberdeenshire and Orkney.
The exhibition is the product of an ongoing dialogue between Blyth and Gordon, where oral traditions and storytelling inform the development of the work. The artists have met with fishermen, fishmongers and other skateholders (Orkney Skate Trust) who aim to raise public awareness of this critically endangered species.
Building upon the legacy of artists such as Bellany, Ensor and Soutine, this project weaves together multiple forms of knowledge and experience to create a contemporary portrait of this uncanny fish of the North Sea.
David Blyth and Nick Gordon are both graduates of Gray's School of Art, Aberdeen. Their individual practices share a pre-occupation with human-animal relations and with museological approaches in the display and transmission of artifactual information.